Little artistic. Artistic style: concept, features and examples. His features in this passage

Try to write a comment in book style!!!

Greetings, dear readers! Pavel Yamb is in touch. A captivating plot, an interesting presentation, an inimitable, unlike anything style - and it is impossible to tear yourself away from the work. By all indications, this is an artistic style of the text or a kind of book style, since it is most often used in literature, for writing books. It mostly exists in written form. This is the reason for its features.

There are three genres:

• Prose: story, fairy tale, novel, story, short story.
• Dramaturgy: play, comedy, drama, farce.
• Poetry: poem, poem, song, ode, elegy.

Who hasn't done it yet? Leave any comment and download my book, which contains a fable, a parable and a story about copywriters and writers. Look at my art style.

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1. Task 1 of 10

   1 .

   - Yes, he drank the entire scholarship. Instead of buying a “computer” for yourself a new one, or at least a “laptop”

2. Task 2 of 10

   2 .

   What style of text does this passage refer to:

   "Varenka, such a sweet, good-natured and sympathetic girl, whose eyes always shone with kindness and warmth, with a calm look of a real demon, walked to the Ugly Harry bar with a Thompson machine gun at the ready, ready to roll into the asphalt these vile, dirty, smelly and slippery types who dared to stare at her charms and let lustful drool. "

3. Task 3 of 10

   3 .

   What style of text does this passage refer to:

   “But I don’t love him, I don’t love him, that’s all!” And I will never love. And what am I to blame?

4. Task 4 of 10

   4 .

   What style of text does this passage refer to:

   “Based on the results of the experiment, we can conclude that simplicity is the key to success”

5. Task 5 of 10

   5 .

   What style of text does this passage refer to:

   "The transition to a multi-tier architecture of Internet-oriented client-server applications has presented developers with the problem of distributing data processing functions between the client and server parts of the application."

6. Task 6 of 10

   6 .

   What style of text does this passage refer to:

   "Yasha was just a petty dirty trickster, who, nevertheless, had very great potential. Even in his pink childhood, he masterfully stole apples from Aunt Nyura, and not even twenty years had passed, when he switched to banks in twenty-three countries of the world with the same dashing fuse, and managed to clean them so skillfully that neither the police nor Interpol could ever catch him red-handed. "

7. Task 7 of 10

   7 .

   What style of text does this passage refer to:

   “Why did you come to our monastery? - he asked.

   - What do you care, get out of the way! the stranger snapped.

   “Uuuu…” the monk pointedly drawled. Looks like you weren't taught manners. Okay, I'm in the mood today, I'll teach you some lessons.

   - You got me, monk, angard! hissed the uninvited guest.

   “My blood is starting to play!” the churchman groaned with delight, “Please try not to disappoint me.”

8. Task 8 of 10

   8 .

   What style of text does this passage refer to:

   "I ask you to grant me a week's leave to travel abroad for family reasons. I am enclosing my wife's health certificate. October 8, 2012."

9. Task 9 of 10

   9 .

   What style of text does this passage refer to:

   “I am a student of the 7th grade, I took the book “Alice in Wonderland” from the school library for a literature lesson. I promise to return it on January 17th. January 11, 2017"

10. Task 10 of 10

    10 .

    What style of text does this passage refer to:

    “During the war in 45 out of 77 houses survived in Borovoye. Collective farmers had 4 cows, 3 heifers, 13 sheep, 3 pigs. Most of the gardens on household plots, as well as an orchard with a total area of ​​2.7 hectares, belonging to the Krasnaya Zarya collective farm, were cut down. The damage caused by the German fascist invaders to the property of the collective farm and collective farmers is estimated at approximately 230,700 rubles.

The ability to write in this style gives a good advantage when making money writing articles for a content exchange.

The main features of the artistic style

High emotionality, the use of direct speech, an abundance of epithets, metaphors, colorful narration are features of the literary language. Texts act on the imagination of readers, "turning on" their fantasy. It is no coincidence that such articles have gained popularity in copywriting.

Main features:

Artistic style is a way of self-expression of the author, so they write plays, poems and poems, novels, stories, novels. He is not like the others.

• Author and narrator are the same person. In the work, the author's "I" is expressed clearly.
• Emotions, the mood of the author and the work are conveyed with the help of all the richness of the means of the language. Metaphors, comparisons, phraseological units are always used when writing.
• Elements of colloquial style and journalism are used to express the author's style.
• With the help of words, artistic images are not just drawn, they have a hidden meaning, thanks to the ambiguity of speech.
• The main task of the text is to convey the author's emotions, to create the appropriate mood in the reader.

The art style does not tell, it shows: the reader feels the situation, as if transported to the places that are being narrated. The mood is created thanks to the author's experiences. The artistic style successfully combines explanations of scientific facts, and imagery, and attitude to what is happening, the author's assessment of events.

Language diversity of style

Compared to other styles, language means are used in all their diversity. There are no restrictions: even scientific terms alone can create vivid images if there is an appropriate emotional mood.

It is clear and easy to read the work, and the use of other styles is only to create color and authenticity. But when writing articles in an artistic style, you will have to carefully monitor the language: it is the book language that is recognized as a reflection of the literary language.

Language features:

• Using elements of all styles.
• The use of language means is completely subordinated to the author's intention.
• Language means perform an aesthetic function.

There is no officiality and dryness here. There are no value judgments. But the smallest details are conveyed to create the appropriate mood for the reader. In copywriting, thanks to the artistic style, hypnotic texts appeared. They create an amazing effect: it is impossible to tear yourself away from reading, and reactions arise that the author wants to evoke.

Mandatory elements of the artistic style are:

• Transfer of author's feelings.
• Allegory.
• Inversion.
• Epithets.
• Comparisons.

Consider the main features of the style. Artwork has a lot of detail.

To form the reader's attitude to the characters or what is happening, the author conveys his own feelings. Moreover, his attitude can be both positive and negative.

Artistic style owes saturation of vocabulary to epithets. Usually these are phrases where one or more words complement each other: unspeakably happy, brutal appetite.

Brightness and imagery are a function of metaphors, combinations of words or individual words used in a figurative sense. Classical metaphors were especially widely used. Example: His conscience gnawed at him for a long time and insidiously, from which cats scratched his soul.

Without comparison, artistic style would not exist. They bring a special atmosphere: hungry like a wolf, unapproachable like a rock - these are examples of comparisons.

Borrowing elements of other styles is most often expressed in direct speech, dialogues of characters. The author can use any style, but the most popular is colloquial. Example:

“How beautiful this landscape is,” the writer said thoughtfully.

“Well, really,” his companion snorted, “so-so picture, not even ice.

To strengthen a passage or give a special color, reverse word order or inversion is used. Example: It is out of place to compete with stupidity.

The best in language, its strongest possibilities and beauty are reflected in literary works. This is achieved through artistic means.

Each author has their own style of writing. Not a single random word is used. Each phrase, each punctuation mark, the construction of sentences, the use or, on the contrary, the absence of names and the frequency of the use of parts of speech are means of achieving the author's intention. And every writer has his own way of expressing himself.

One of the features of the artistic style is color painting. The writer uses color as a way to show the atmosphere, to characterize the characters. The palette of tones helps to dive deep into the work, to present the picture depicted by the author more clearly.

The features of the style include intentionally the same construction of sentences, rhetorical questions, appeals. Rhetorical questions are interrogative in form, but they are narrative in essence. The messages in them are always associated with the expression of the author's emotions:

What is he looking for in a distant country?

What did he throw in his native land?

(M. Lermontov)

Such questions are needed not to get answers, but to draw the reader's attention to a phenomenon, an object, an expression of a statement.

Appeals are often used. In their role, the writer uses proper names, animal names and even inanimate objects. If in a colloquial style the appeal serves to name the addressee, then in the artistic style they often play an emotional, metaphorical role.

It involves both all the elements at the same time, and some of them. Everyone has a certain role, but the goal is common: filling the text with colors to maximize the transmission of the transmitted atmosphere to the reader.

Features of speech

The world of fiction is the world that the author sees: his admiration, preferences, rejection. This is what causes the emotionality and diversity of the book style.

Vocabulary features:

1. When writing, template phrases are not used.
2. The words are often used in a figurative sense.
3. Intentional mix of styles.
4. The words are emotional.

The basis of vocabulary, first of all, is figurative means. Highly specialized combinations of words are used only slightly, to recreate a reliable situation in the description.

Additional semantic shades - the use of polysemantic words and synonyms. Thanks to them, an author's, unique, figurative text is formed. Moreover, not only expressions accepted in the literature are used, but also colloquial phrases, vernacular.

The main thing in book styles is its imagery. Every element, every sound matters. Therefore, unhackneyed phrases, author's neologisms, for example, "nikudizm" are used. A huge number of comparisons, special accuracy in describing the smallest details, the use of rhymes. Rhythmic even prose.

If the main task of the conversational style is communication, and the scientific one is the transfer of information, the book ones are designed to have an emotional impact on the reader. And all language means used by the author serve to achieve this goal.

Appointment and its tasks

Artistic style is the building material for creating a work. Only the author is able to find the right words for the correct expression of thought, the transfer of the plot and characters. Only a writer can make readers enter the special world he created and empathize with the characters.

The literary style distinguishes the author from the rest, gives his publications a peculiarity, zest. Therefore, it is important to choose the right style for yourself. Each style has characteristic features, but each writer uses them to create his own handwriting. And it is absolutely not necessary to copy the classic writers if you like it. He will not become his own, but will only turn publications into parodies.

And the reason is that individuality has been and remains at the head of the book style. Choosing your own style is very difficult, but this is what is valued above all. So the main features of the style include sincerity, which makes readers not tear themselves away from the work.

Artistic differs from other styles in the use of linguistic means of other styles. But only for aesthetic purposes. And not the styles themselves, but their features, elements. Literary and non-literary means are used: dialect words, jargon. All the richness of speech is necessary to express the author's intention, to create a work.

Imagery, expressiveness, emotionality are the main things in book styles. But without the author's individuality and special presentation, there would be no artistic as a whole.

No need to get carried away without measure by colloquial style or include scientific terms in the text: only elements of styles are used, but all styles are not mindlessly mixed. Yes, and a description of the smallest details of the apartment, which the main character glanced at, is also useless.

Vernacular, jargon, mixing styles - everything should be in moderation. And the text written from the heart, not compressed and not stretched, will become hypnotic, attracting attention to itself. For this purpose, and serves as an artistic style.

Pavel Yamb was with you. See you!

A small artistic scandal in a major scientific, cultural and industrial center

The artist is always tied to the tops of two closed birches, or whatever trees are suitable for the simplest way of doubling commodity objects. Of course, he always wants to be understood by his country, but the possibility of turning into a slanting rain warms his soul. Moreover, falling into a zone of incomprehension and "makes an artist an Artist: Great Art should always be underestimated by contemporaries, otherwise what the hell is art like. Just God forbid to thematize misunderstanding as the artist's production of some "deep meanings" to which society has not yet grown up. I mean another misunderstanding - the unwillingness of society or some of its authoritative institutions to recognize a certain language as a language that can be used in art. Or art is kicked out: we You don't need such a language, or the layman is stingy: I slaughter pigs in the market, and don't fuck with this peaceful habit of mine to drag into the gallery.

caused, if not shock, then active rejection of very many good people, many very literate and advanced philosophers, journalists, artists. It's not a legend at all that several printing houses refused to print the book, they refused to make real money - out of principle (this is very similar to an advertising fairy tale, I understand: but it's true). For those who do not know what the matter is, I will explain: in the mentioned book there are many photographs depicting how the artist Oleg Kulik copulates with various domestic animals - goats, calves, horses, dogs. I did not believe for a long time when I was told about the extremely negative reactions from the most decent and educated people: it’s unbelievable, a person likes to fuck with fauna. Perhaps this is read as "too inhuman": even those who do not hold on to the conformity of man to the image and likeness of God (all sorts of cubists and others like them completely destroyed this likeness), remains a supporter of the hydra of humanism.

But it is almost more amusing when the completely ordinary language of the streets and squares evokes rejection. Leaflets of all kinds of non-traditional religious sects, abundantly decorating public surfaces, are hardly to the heart of most humanoids, but turning to their hair dryer, it turns out, can be perceived as an aesthetic challenge (Kabakov’s appeal to the slang of communal communality was once interpreted in the same way: as if both were not demons of the native collective unconscious, as if Maria Devi Christos was raised not by native aspens, but by some Martians).

Ekaterinburg artist Alexander Shaburov, working in the well-known and very healthy tradition of deconstruction of mass visuality, built his physiognomy into the leaflet of the aforementioned Davy and pasted over the capital of the Urals with the resulting product. In the most natural and banal reading, this is the destruction of the demon, the externalization of its non-absolute, playful, paper nature. Even a kind of defense of orthodox religiosity. The public consciousness perceived this as unworthy clowning and foolishness. The effect is curious. Maria, of course, is a real Satanist and does not cause much love, but she has one important quality: she is somehow serious, she is at least bad, dangerous, but religiosity, a real spiritual action. The bad present must be contrasted with the good present. The artist, on the other hand, makes the unreal out of the present his unreal: he evades from the spiritual context in general. In general, he is more alien than Maria Devi: she speaks nasty things in an understandable language, and he speaks incomprehensibly in some completely wrong language. Language is more important than speech. Shaburov, of course, insulted Davy, insulted - albeit without much intent, but you have to think with your head - Orthodoxy, offended tram passengers (in Yekaterinburg, all trams without exception are made of such products): if he can be nice to anyone, then a handful of sluggish psychos interested in contemporary art. Whether he turned out to be nice to them, more on that below.

First, about the fact that Shaburov did not stop at Devi. He issued a series of leaflets (the circulation is indicated in a million) with one signature - "Shaburov Sasha Christ" - and with different pictures. Shaburov and Stalin in Gorki; Sistine Madonna with the face of Shaburov. Russian Berlin soldier (Alyosha, it seems) with the face of Shaburov. Shaburov naked and Cicciolina. A worker and a collective farm woman - both with Shaburov's faces. Tutankhamen with the face of Shaburov. Shaburov and Lenin are carrying a log. Two Shaburovs on a bottle of Rasputin, Shaburov in an embrace with Misiano and Kabakov, non-Cesiudians (too lazy to check spelling) with Shaburov's faces without their pants against the backdrop of the White House. It seems to me that all this is quite a nice event. Quite banal things, but somehow done correctly and competently. Firstly, every modern artist, if he is not quite Glazunov, produces himself, and not some kind of abstract art, understood in this case as any art that produces something other than the artist himself. Secondly, in the indicated context, all of his characters pretend to be Saviors: no matter how much you take off your pants, you won’t jump out of this centuries-old tradition anywhere. Thirdly, all the Saviors turn out to be a little or a lot of artists, which, however, has always been clear.

But what is important: Shaburov, with his escheat messianism, was driven out of a fairly decent artistic environment. One large Yekaterinburg gallery was organizing a large exhibition in a very large hall: Shaburov pasted over all the columns from top to bottom with these leaflets of his. The organizers sniffed the columns for two days, drove experts, and on the opening day they scraped off the leaflets. They also kicked out a large, two and a half by three meters work by the artist Arseniy Sergeev, which is the inscription "I'll buy everything" (on the peasants sticking out on the streets, among the neck posters "I'll buy gold", "I'll buy dollars" there is also a metaphysical "I'll buy everything"). It would seem that everything is clear. The gallery expert enthusiastically recognizes some pop art as a milestone in world art, but reading four old books is not enough, one must also be able to think and look around. However, alas, this is not entirely the case. And in the enlightened capital, we know examples of how rich guys rejoice, rejoice at the artist until the moment when the great Idea of ​​the Limits of Art is not touched. And b. Sverdlovsk is not a village, there are a fair number of more or less modern galleries where Shaburov and similar fools are welcomed. In another matter.

Everyone is laughing - Glazer, Glazer, and Glazer, meanwhile, is a great clever girl. He opened a museum of modern art in, it seems, Vladivostok, filling it to the top with bulldozer and near-bulldozer celebrities. And the entire high society of Vladivostok, from the mayor to the prostitute Masha, came to the opening, and now the city's public is sure that Shemyakin is contemporary art. And after all, several truly modern artists cannot but exist in Vladivostok: they were gnashing their teeth. And in Sverdlovsk, creative youth laugh at the project of a monument to repressions by E. Neizvestny, but what's the point. All the same, he is a prince, and she, creative youth, is dirt with dirt.

Yekaterinburg interiors, by the way, can boast of all sorts of wonderful details. There is no other city in Russia, for example, where on every - I swear - colorful advertising posters of firms providing intimate services would hang on every corner. The names are more and more female names. But there are some amazing options too. Tootsie Company. You call a girl, undress her, and there, therefore, you yourself understand who and what. Modern art: this is when it is impossible to distinguish aesthetic deafness from brilliant wit. Give us God not to distinguish.

Here is an excerpt from a Yekaterinburg letter: how are the pre-election newspapers doing there. “Candidate En., a fat Jew in dark glasses, who looks like Pinochet, paid money, he doesn’t need to appear anymore - his physiognomy will be drawn in the form of a fair-haired lad and his biography will be invented, and the recommendations of Nikita Mikhalkov, Alla Pugacheva and academician Likhachev on the front page.” This, of course, is a joke: it cannot be. I do not believe. It too. Everything has limits.

Father of Russian literary text A. S. Pushkin

Example of artistic text

Fiction

Man's inclination to literature, despite the possibility of doing without it in life, is an act of self-expression. Self-expression of the reader is in his empathy, sympathy, co-creation. IN artistic text not only the writer, but also the reader should feel like a creator, embodying the world in words for the first time. This personal experience of the creative nature of language is the basis of the verbal image. The sound of speech, the filling of words with meaning, the germination of their meanings in each other - all this the reader feels as an event, as a discovery.

Usually, with fluency in the language, a person does not think about the verbal form of expression of thought - it is built automatically, by itself. Not so with artistic speech: it is not so much a carrier of information as information itself. The choice of words, grammatical forms and constructions, even sounds, is no less important than the subject of conversation. In fiction, we are looking not so much for the content of speech as for speech itself. The author, creating his work and trying to express his thoughts and feelings on paper, is intensely looking for consonance, words and sentences not by calculation, but by instinct. The result is what we call literature.

In a literary text, the main creative effort is transferred from what is said to how it is said, however, the second, giving the first depth, strength and originality, cannot exist without it. It is in the fine proportion between the meaning of the opus and the mastery of the author, which is unusual for other types of literature, that the literary text is the pinnacle of any speech culture.

Danil Rudoy - 2002

The Little Prince was born in 1943 in America, where Antoine de Saint-Exupery fled from Nazi-occupied France. An unusual fairy tale, equally well perceived by both children and adults, turned out to be relevant not only during the Second World War. Today, people still read to her, trying to find in The Little Prince answers to eternal questions about the meaning of life, the essence of love, the price of friendship, the need for death.

In form - a story consisting of twenty-seven parts, in plot - a fairy tale telling about the magical adventures of the Prince Charming, who left his native kingdom because of unhappy love, in artistic organization - a parable - simple in speech performance (it is very easy to learn French using The Little Prince) and complex in terms of philosophical content.

The main idea of ​​the fairy tale-parable is the affirmation of the true values ​​of human existence. The main antithesis is the sensual and rational perception of the world. The first is characteristic of children and those rare adults who have not lost their childlike purity and naivety. The second is the prerogative of adults who are firmly rooted in the world of rules created by themselves, often ridiculous even from the point of view of reason.

The appearance of the Little Prince on Earth symbolizes the birth of a person who comes to our world with a pure soul and a loving heart, open to friendship. The return of the fairy-tale hero home occurs through real death, coming from the poison of a desert snake. The physical death of the Little Prince embodies the Christian idea of ​​the eternal life of the soul, which can go to Heaven only after leaving its body shell on earth. The annual stay of a fairy-tale hero on Earth correlates with the idea of ​​the spiritual growth of a person who learns to be friends and love, take care of others and understand them.

The image of the Little Prince is based on fairy-tale motifs and the image of the author of the work - a representative of an impoverished noble family, Antoine de Saint-Exupery, who bore the nickname "The Sun King" in childhood. A little boy with golden hair is the soul of an author who never grew up. The meeting of an adult pilot with his childish self takes place at one of the most tragic moments of his life - a plane crash in the Sahara desert. Balancing on the verge of life and death, the author learns the story of the Little Prince during the repair of the aircraft and not only talks to him, but also goes together to the well, and even carries his subconscious in his arms, giving him the features of a real, different character.

The relationship between the Little Prince and the Rose is an allegorical depiction of love and the difference in its perception by a man and a woman. Capricious, proud, beautiful Rose manipulates her lover until she loses power over him. Gentle, timid, believing in what he is told, the Little Prince suffers cruelly from the windiness of the beauty, not immediately realizing that it was necessary to love her not for words, but for deeds - for that wonderful aroma that she gave him, for all the joy that she brought into his life.

Seeing five thousand Roses on Earth, the space traveler becomes desperate. He was almost disappointed in his flower, but the Fox, who met him on the way in time, explains to the hero the truths long forgotten by people: that you need to look with your heart, not with your eyes, and be responsible for those who have been tamed.

The artistic image of the Fox is an allegorical depiction of friendship born from habit, love and the desire to be needed by someone. In the understanding of an animal, a friend is one who fills his life with meaning: destroys boredom, allows him to see the beauty of the world around him (comparison of the Little Prince's golden hair with wheat ears) and cry when parting. The little prince learns well the lesson given to him. Saying goodbye to life, he thinks not about death, but about a friend. The image of the Fox in the story also correlates with the biblical Serpent-tempter: for the first time the hero meets him under an apple tree, the animal shares with the boy the knowledge about the most important foundations of life - love and friendship. As soon as the Little Prince comprehends this knowledge, he immediately acquires mortality: he appeared on Earth, traveling from planet to planet, but he can leave it only by abandoning the physical shell.

In the story of Antoine de Saint-Exupery, the role of fairy-tale monsters is played by adults, whom the author snatches out of the general mass and places each on his own planet, enclosing a person in himself and, as if under a magnifying glass, showing his essence. The desire for power, ambition, drunkenness, love of wealth, stupidity are the most characteristic features of adults. Exupery exposes a common vice for all, activity / life, devoid of meaning: the king from the first asteroid rules nothing and gives only those orders that his fictional subjects can fulfill; the ambitious man does not value anyone but himself; the drunkard is unable to get out of the vicious circle of shame and drinking; a business man endlessly adds up the stars and finds joy not in their light, but in their value, which can be written on paper and put in a bank; the old geographer is mired in theoretical conclusions that have nothing to do with the practical science of geography. The only reasonable person, from the point of view of the Little Prince, in this row of adults looks like a lamplighter, whose craft is useful to others and beautiful in its essence. Perhaps that is why it loses its meaning on a planet where a day lasts one minute, and electric lighting is already working with might and main on Earth.

The story about the boy who appeared from the stars is written in a touching and light style. She is all imbued with sunlight, which can be found not only in the hair and yellow scarf of the Little Prince, but also in the endless sands of the Sahara, wheat ears, the orange Fox and the yellow Snake. The latter is immediately recognized by the reader as Death, because it is she who is inherent in power, greater than “in the king’s finger”, the ability to “carry further than any ship” and the ability to solve “all riddles”. The snake shares with the Little Prince her secret of knowing people: when the hero complains about being alone in the desert, she says that "among people too" it is "lonely".

The sad end does not cancel the life-affirming beginning of the tale: the author begins to hear the stars and see the world in a new way because “somewhere in an unknown corner of the universe, a lamb that we have never seen, perhaps ate a Rose we did not know.”

The artistic style of speech is the language of literature and art. It is used to convey emotions and feelings, artistic images and phenomena.

Artistic style is a way of self-expression of writers, therefore, as a rule, it is used in writing. Orally (for example, in plays), texts written in advance are read out. Historically, the artistic style functions in three types of literature - lyrics (poems, poems), drama (plays) and epic (stories, novels, novels).

An article about all styles of speech -.

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The art style is:

2. Language means are a way of conveying the artistic image, emotional state and mood of the narrator.

3. The use of stylistic figures - metaphors, comparisons, metonyms, etc., emotionally expressive vocabulary, phraseological units.

4. Multi-style. The use of language means of other styles (colloquial, journalistic) is subject to the fulfillment of a creative plan. These combinations gradually form what is called the author's style.

5. The use of verbal ambiguity - words are chosen so that with their help not only “draw” images, but also put a hidden meaning into them.

6. Information transfer function is often hidden. The purpose of the artistic style is to convey the emotions of the author, to create a mood, an emotional mood in the reader.

Art Style: Case Study

Let's take a look at the features of the parsed style as an example.

An excerpt from the article:

The war disfigured Borovoye. Interspersed with the surviving huts, charred stoves stood like monuments to people's grief. Pillars stuck out from the gate. The shed gaped with a huge hole - half of it was broken off and carried away.

There were gardens, and now stumps are like rotten teeth. Only in some places two or three juvenile apple trees took shelter.

The village was depopulated.

When the one-armed Fyodor returned home, his mother was alive. She grew old, emaciated, gray hair increased. She sat down at the table, but there was nothing to treat. Fedor had his own, soldierly. At the table, the mother said: everyone was robbed, damned skinners! We hid pigs and hens, who are much better. Will you save? He makes noise, threatens, give him a chicken, be at least the last one. With a fright, they gave the last one. Here I have nothing left. Oh, it was bad! The damned fascist ruined the village! You can see for yourself what's left... more than half of the yards burned down. The people fled to where: some to the rear, some to the partisans. How many girls were kidnapped! So our Frosya was taken away ...

Fyodor looked around in a day or two. They began to return their own, Borovsky. They hung a piece of plywood on an empty hut, and on it in crooked letters soot in oil - there was no paint - “The board of the Krasnaya Zarya collective farm” - and it went, and it went! Down and Out trouble started.

The style of this text, as we have already said, is artistic.

His features in this passage:

1. Borrowing and application of vocabulary and phraseology of other styles ( as monuments of national grief, fascist, partisans, collective farm management, the beginning of trouble).
2. The use of visual and expressive means ( hijacked, cursed skinners, really), the semantic ambiguity of words is actively used ( the war disfigured Borovoye, the barn gaped with a huge hole).
3. they've all been robbed, you damned skinners! We hid pigs and hens, who are much better. Will you save? He makes noise, threatens, give him a chicken, be at least the last one. Oh, it was bad!).
4. There were gardens, and now stumps are like rotten teeth; She sat down at the table, but there was nothing to treat; on oil - there was no paint).
5. The syntactic structures of a literary text reflect, first of all, the flow of the author's impressions, figurative and emotional ( Interspersed with the surviving huts, charred stoves stood like monuments to people's grief. The shed gaped with a huge hole - half of it was broken off and carried away; There were gardens, and now stumps are like rotten teeth).
6. The characteristic use of numerous and varied stylistic figures and tropes of the Russian language ( stumps are like rotten teeth; charred stoves stood like monuments to national grief; sheltered by two or three teenage apple trees).
7. The use, first of all, of vocabulary that forms the basis and creates the figurativeness of the analyzed style: for example, figurative techniques and means of the Russian literary language, as well as words that realize their meaning in the context, and words of a wide range of use ( grew old, emaciated, burned, letters, girls).

Thus, the artistic style does not so much tell as it shows - it helps to feel the situation, to visit those places that the narrator tells about. Of course, there is also a certain "imposition" of the author's experiences, but it also creates a mood, conveys sensations.

The art style is one of the most "borrowing" and flexible: writers, firstly, actively use language of other styles, and secondly, they successfully combine artistic imagery, for example, with explanations of scientific facts, concepts or phenomena.

Sci-Fi Style: Case Study

Consider the example of the interaction of two styles - artistic and scientific.

An excerpt from the article:

The youth of our country loves forests and parks. And this love is fruitful, active. It is expressed not only in the laying of new gardens, parks and forest belts, but also in the vigilant protection of oak forests and forests. One day, at a meeting, even chips appeared on the table of the presidium. Some villain cut down an apple tree that grew alone on the river bank. Like a lighthouse, she stood on a steep yard. They got used to it, as to the appearance of their home, they loved it. And now she was gone. On this day, the conservation group was born. They called it the "Green Patrol". There was no mercy for the poachers, and they began to retreat.

N. Korotaev

Scientific style features:

1. Terminology ( presidium, laying of forest belts, krutoyar, poachers).
2. The presence in a series of nouns of words denoting the concepts of a feature or state ( bookmark, security).
3. The quantitative predominance of nouns and adjectives in the text over verbs ( this love is fruitful, active; in the laying of new gardens, parks and forest belts, but also in the vigilant protection of oak forests and forests).
4. The use of verbal phrases and words ( bookmark, security, mercy, meeting).
5. Verbs in the present tense that have a “timeless”, indicative meaning in the text, with weakened lexical and grammatical meanings of time, person, number ( loves, expresses);
6. A large volume of sentences, their impersonal nature in conjunction with passive constructions ( It is expressed not only in the laying of new gardens, parks and forest belts, but also in the vigilant protection of oak forests and forests.).

Art style features:

1. Extensive use of vocabulary and phraseology of other styles ( presidium, laying of forest belts, krutoyar).
2. The use of various figurative and expressive means ( this love is fruitful, in vigilant protection, reckless), the active use of the verbal polysemy of the word (the appearance of the house, "Green Patrol").
3. Emotionality and expressiveness of the image ( They got used to it, as to the appearance of their home, they loved it. And now she was gone. On this day the band was born.
4. The manifestation of the creative individuality of the author - the author's style ( It is expressed not only in the laying of new gardens, parks and forest belts, but also in the vigilant protection of oak forests and forests. Here: combining features of several styles).
5. Paying special attention to particular and seemingly random circumstances and situations behind which one can see the typical and general ( Some villain cut down an apple tree ... And now it was gone. On this day, the conservation group was born).
6. The syntactic structure and the corresponding structures in this passage reflect the flow of figurative and emotional author's perception ( Like a lighthouse, she stood on a steep yard. And now she's gone).
7. The characteristic use of numerous and varied stylistic figures and tropes of the Russian literary language ( this fruitful, active love, like a beacon, it stood, there was no mercy, growing alone).
8. The use, first of all, of vocabulary that forms the basis and creates the figurativeness of the parsed style: for example, figurative techniques and means of the Russian language, as well as words that realize their meaning in the context, and words of the widest distribution ( youth, reckless, fruitful, active, guise).

In terms of the variety of linguistic means, literary devices and methods, the artistic style is perhaps the richest. And, unlike other styles, it has a minimum of restrictions - with proper drawing of images and an emotional mood, you can write a literary text even in scientific terms. But, of course, this should not be abused.

Texts are written for readers, so they should be accessible and understandable. And the explicit use of vocabulary of other styles is only possible for authenticity, to create colorful images of characters or atmosphere.

So, during a conversation between two bankers, economic terminology is only a plus, but "" clichés and clericalism when describing beautiful nature will definitely be superfluous.

Thus, when working with an artistic style, for all its flexibility, the vocabulary is very careful. Especially if you write or intend to write fiction. For it is the artistic style that is considered a reflection of the Russian literary language.

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